A Chrysler Museum of Art and Hampton University Museum Partnership
This collection of Modern African Art has much to teach us, and has led to some very interesting research “rabbit-holes”. Discover more about an important cultural element that is depicted in several of the artworks, and has a very broad history, from prehistoric times to the 21st century.
One of the goals of this grant project is to present outreach programs to the public, both virtually and in-person. So far, we have had the opportunity to participate in two such programs, partnering with The Links, Incorporated and the Osher Lifelong Learning Institute. In this post, we will be sharing the details of these programs, including feedback we received and our key takeaways.
Physical forces, like drops, scrapes, or bumps, may be what most people think of when it comes to damages to artworks, so this is the first Agent of Deterioration I am covering. There may also be inherent aspects which can cause cracks to form in paintings, and the consequences and treatment options for these can be quite different. Read more to learn why!
For this post we will be taking a closer look at Jimo Bola Akolo’s The Garden of Eden and Peter Paul Rubens’ and Jan Brugehel the Elder’s The Garden and Eden with the Fall of Man to see how the same idea or story can be depicted differently by artists.
Protecting collections starts with understanding the ways that damage can be caused to objects, often called the 10 Agents of Deterioration, as well as how to prevent their effects. Preventive conservation is the term used to describe the actions taken to avoid future interventive treatment and reduce risks. Learn more here about the upcoming conservation blog series!
We will start this series,“ What’s in a Name”, with Emmanuel Owusu Dartey’s, A Market Day to present how the title in conjunction with the subject of the piece, as well as our own personal experience can be used to draw conclusions about an art piece.