This post goes in-depth on the conservation treatment of the painting Grief by Afi Ekong. Treatment was completed by Katie Rovito, National Endowment for the Humanities Conservation Fellow at the Chrysler Museum of Art. Learn how Katie tackled this treatment, including how she mended tears and inpainted.
For part two of this series, we will analyze Gerard Sekoto’s The Two Women, to present how the title of an artwork, its subject and the artist’s own experience can be used to draw conclusions about an art piece.
Pests, insects, bugs, creepy-crawlies…whatever you call them, they are not good for art collections! These tiny agents of deterioration can cause lots of damage quite quickly, and they may go unnoticed at first. Learn more about how conservators deal with these vicious vermin here.
With the research and professional development funds provided by the Mellon Grant, we were recently able to view an exhibition of artwork closely related to our own, which opened at Fisk University Galleries at the beginning of October. We also visited Frist Art Museum and other sites around Nashville, connected with colleagues, and explored the fabulous Music City!
In 2021, The Chrysler Museum of Art, in partnership with the Hampton University Museum was awarded a $500,000 grant from The Andrew W. Mellon Foundation. The highly competitive grant aims to diversify the field of Curation and Conservation by conducting a three-year pilot fellowship program for two aspiring museum professionals who have completed master’s degrees. The curatorial fellow, Tashae Smith, and the conservation fellow, Elizabeth Robson, will examine the Chrysler Museum’s traditional African collection and Hampton University Museum’s Harmon Foundation Collection of Modern African Art. Their work will demonstrate the ongoing importance of collecting, preserving and studying non-Western art.
About the fellowship
